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The album hit No.5 in Gano International Music Chart. HYSTERIC BLUE sony URA BTTB RYUICHI SAKAMOTO warmer SOMETHING 'BOUT THE KISS. The advantage of this is that Sakamoto boils these pieces down to their skeletal form, presenting them to the listener in a way that's probably close to how he was writing them all these years ago". It should be filed in that rarest category - OSTs which are both inseparable from the imagery they drive, and which also stand tall on their own.
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His soundtrack work is up for grabs as well as a fantastic pre- Yellow Magic Orchestra composition called "Thousand Knives". Ryuichi Sakamoto & Alva Noto’s soundtrack to Alejandro G Iñárrritu’s The Revenant is one of the most haunting we’ve heard in years.
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PopMatters John Garrett noted "An important selling point for Playing the Piano is how Ryuichi Sakamoto takes the opportunity to "cover himself", so to speak. Playing the piano by Ryuichi Sakamoto ( ) 27 editions published.
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Anybody interested in electronica and ambient music would do well to book tickets next time their in town.Reception Professional ratings Review scoresĪllMusic reviewer Thom Jurek states "For the most part, it is a spare and lovely beauty of an album, with few surprises save for the elegance that Sakamoto performs these indelible pieces with". The music veered slowly between digital starkness and impressionist warmth, but always in an extremely focussed and graceful way. He is known for his work on The Last Emperor (1987), The Revenant (2015) and Merry Christmas Mr. Ryuichi Sakamoto was born on Januin Tokyo, Japan. SO PARLAR D'AMORE clan/rti JOVANOTTI CAPO HORN mercury/universal LITFIBA INFINITO ira/emi. But nothing quite topped watching the concentration, poise, and restraint with which Ryuichi Sakamoto played the piano at that peaceful, delicate dynamic for the length of the set. Ryuichi Sakamoto, Composer: The Last Emperor. 07/31/99 SINGLES URA BTTB RYUICHI SAKAMOTO warmer NAZE. This is amore by Ryuichi Sakamoto.Background electronics, guitar, laptop: Christian FenneszPiano: Ryuichi SakamotoAlbum: Ryuichi Sakamoto playing the piano 2. The treat about seeing them live at Sónar was partly the visuals, which though appropriately discreet, added something to the already quite magical atmosphere the two musicians created on stage. There’s perhaps more ‘melody’, things aren’t quite so stripped down anymore, although some chasms of space still open now and then.
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10 years on, their music has changed a bit - not so much the sounds, which still essentially consist of piano and electronics, but the interaction. How to Format Lyrics: Type out all lyrics, even if it’s a chorus that’s repeated. There was something really absorbing about this disc, it seemed to create its own ambient minimal sound world, comprised of sparse single piano notes or clusters drenched in long, sustained reverb, and small clicks, whirrs, and glitch sounds. Many years ago a friend introduced me to ‘Vrioon’, which was to be the first of 6 studio collaborations between Ryuichi Sakamoto and Carsten Nicolai (under the moniker ‘alva noto’).